〈Reflection 10〉, 1983, Archival pigment print, 123×98 cm
The 2024 ACC Focus Exhibition at the National Asian Culture Center (ACC) is set to open with "Koo Bohnchang: The Look of Things," an in-depth exhibition that celebrates Koo’s role as a pioneering figure in Korean modern photography. This exhibition is the first in a new annual ACC series highlighting globally renowned Asian contemporary art masters, beginning with Koo, whose unique vision has influenced photography in Korea and beyond.
Koo Bohnchang’s work explores the hidden narratives of objects, and this exhibition features 161 pieces, including photography, video, and installations. In addition, 50 personal objects from Koo’s collection and various archival materials will be on display. Through his lens, Koo invites viewers to contemplate the stories embedded within each subject, capturing the subtle interplay between Korean cultural identity and broader Asian sensibilities.
〈Soap 13〉, 2006, Archival pigment print, 39×32 cm
The exhibition is divided into three distinct sections. Part 1, "Breathing Life into Historical Objects," focuses on artifacts with deep historical significance, such as Korean War relics, Joseon-era white porcelain, and Shilla crowns. By integrating video and installation art, Koo reimagines these artifacts as living vessels of history, allowing viewers to engage with their cultural and historical weight.
Part 2, "Finding Meaning in Everyday Objects," shifts attention to ordinary items, elevating them to symbolic status. Featured series include "Collection," where Koo captures personal items, and "Soap," an exploration of the simple elegance in mundane objects. By highlighting these seemingly unremarkable items, Koo draws attention to the beauty and cultural resonance found in the everyday.
〈DMZ 04〉, 2010, Single channel video, color, loop, Park Weayeon, Age 101, Lost her son during Korean war, The War Memorial of Kore
In Part 3, "Meeting Koo Bohnchang’s Perspective," the exhibition provides additional context to Koo’s artistic journey, showcasing collaborations with media, archival documents, and personal insights. This section gives audiences a deeper understanding of Koo’s process and his intention to blur the lines between commercial and fine art photography.
Koo’s artistic journey began in the early 1980s following his studies in Germany, and he has since established himself as a key figure in Korean photography. His unique approach to object photography, which captures each subject with a portrait-like reverence, has set him apart in both domestic and international art circles.
〈Chasse-Roue 54〉, 2003, Archival pigment print, 79×63 cm
The “Koo Bohnchang: The Look of Things” exhibition is an invitation to explore the complex narratives within each object. Through his work, Koo reflects on the broader human experience, bridging personal and collective histories in a way that resonates deeply with audiences.
ACC Director Lee Kang-hyun expressed his hopes for the exhibition, noting that it offers a unique opportunity for visitors to engage with Koo’s work and to find their interpretations within his visual language. The exhibition will be on display throughout the year, promising a profound experience for both art enthusiasts and the general public.
The poster of the exhibition, Courtesy of the ACC
Sayart / Nao Yim, yimnao@naver.com
〈Reflection 10〉, 1983, Archival pigment print, 123×98 cm
The 2024 ACC Focus Exhibition at the National Asian Culture Center (ACC) is set to open with "Koo Bohnchang: The Look of Things," an in-depth exhibition that celebrates Koo’s role as a pioneering figure in Korean modern photography. This exhibition is the first in a new annual ACC series highlighting globally renowned Asian contemporary art masters, beginning with Koo, whose unique vision has influenced photography in Korea and beyond.
Koo Bohnchang’s work explores the hidden narratives of objects, and this exhibition features 161 pieces, including photography, video, and installations. In addition, 50 personal objects from Koo’s collection and various archival materials will be on display. Through his lens, Koo invites viewers to contemplate the stories embedded within each subject, capturing the subtle interplay between Korean cultural identity and broader Asian sensibilities.
〈Soap 13〉, 2006, Archival pigment print, 39×32 cm
The exhibition is divided into three distinct sections. Part 1, "Breathing Life into Historical Objects," focuses on artifacts with deep historical significance, such as Korean War relics, Joseon-era white porcelain, and Shilla crowns. By integrating video and installation art, Koo reimagines these artifacts as living vessels of history, allowing viewers to engage with their cultural and historical weight.
Part 2, "Finding Meaning in Everyday Objects," shifts attention to ordinary items, elevating them to symbolic status. Featured series include "Collection," where Koo captures personal items, and "Soap," an exploration of the simple elegance in mundane objects. By highlighting these seemingly unremarkable items, Koo draws attention to the beauty and cultural resonance found in the everyday.
〈DMZ 04〉, 2010, Single channel video, color, loop, Park Weayeon, Age 101, Lost her son during Korean war, The War Memorial of Kore
In Part 3, "Meeting Koo Bohnchang’s Perspective," the exhibition provides additional context to Koo’s artistic journey, showcasing collaborations with media, archival documents, and personal insights. This section gives audiences a deeper understanding of Koo’s process and his intention to blur the lines between commercial and fine art photography.
Koo’s artistic journey began in the early 1980s following his studies in Germany, and he has since established himself as a key figure in Korean photography. His unique approach to object photography, which captures each subject with a portrait-like reverence, has set him apart in both domestic and international art circles.
〈Chasse-Roue 54〉, 2003, Archival pigment print, 79×63 cm
The “Koo Bohnchang: The Look of Things” exhibition is an invitation to explore the complex narratives within each object. Through his work, Koo reflects on the broader human experience, bridging personal and collective histories in a way that resonates deeply with audiences.
ACC Director Lee Kang-hyun expressed his hopes for the exhibition, noting that it offers a unique opportunity for visitors to engage with Koo’s work and to find their interpretations within his visual language. The exhibition will be on display throughout the year, promising a profound experience for both art enthusiasts and the general public.
