Hyeri’s Cheerleading Film ‘Victory’ Faces Ticket Hoarding Allegations
Sharon Jung / Published September 12, 2024 01:34 AM
Sharon Jung
Hyeri, Courtesy of the MindMark Inc.
Hyeri’s latest film, “Victory,” has recently come under scrutiny amid allegations of ticket hoarding aimed at inflating the movie’s box office performance. The film, which opened in local theaters on August 14, has shown an unexpected rise in popularity, topping the box office charts with over 26,000 tickets sold on Tuesday and Wednesday alone. As of the latest reports, the film’s total admissions have reached nearly 466,000.
The unexpected surge in the film’s box office performance has sparked skepticism online, with some critics suggesting that those associated with the movie might have engaged in practices to manipulate sales figures. These rumors have led to a broader discussion about the transparency of box office reporting and the lengths to which some might go to ensure a film’s success.
In response to these allegations, Mindmark, the production company behind “Victory,” released an official statement addressing the concerns. The company clarified that the increased ticket sales were attributed to several large-scale screenings organized for different groups and companies. These events, which occurred during the same period, contributed to a noticeable spike in reported admissions.
The poster of the movie, Courtesy of the MindMark Inc.
“Victory,” directed by Park Beom-soo, is notable for being Korea’s first film centered on cheerleading. The story revolves around characters Pil-seon (Hyeri) and Mina (Park Se-wan), who form a high school cheerleading team in order to gain access to their school’s dance facilities. The film’s unique premise, coupled with a high-profile cast, has garnered significant attention and contributed to its box office performance.
The cast includes Park Se-wan and Cho Ah-ram, among others, who portray the nine-member cheerleading team known as Millennium Girls. The film’s depiction of cheerleading, a relatively new subject in Korean cinema, has captivated audiences and generated considerable interest.
Despite the controversies surrounding its box office success, “Victory” continues to attract viewers and contribute to ongoing discussions about the challenges and dynamics of the film industry. The film’s innovative approach to its subject matter and its reception by audiences highlight the evolving landscape of Korean cinema.
Sayart / Sharon Jung, guhuijeong784@gmail.com
Hyeri, Courtesy of the MindMark Inc.
Hyeri’s latest film, “Victory,” has recently come under scrutiny amid allegations of ticket hoarding aimed at inflating the movie’s box office performance. The film, which opened in local theaters on August 14, has shown an unexpected rise in popularity, topping the box office charts with over 26,000 tickets sold on Tuesday and Wednesday alone. As of the latest reports, the film’s total admissions have reached nearly 466,000.
The unexpected surge in the film’s box office performance has sparked skepticism online, with some critics suggesting that those associated with the movie might have engaged in practices to manipulate sales figures. These rumors have led to a broader discussion about the transparency of box office reporting and the lengths to which some might go to ensure a film’s success.
In response to these allegations, Mindmark, the production company behind “Victory,” released an official statement addressing the concerns. The company clarified that the increased ticket sales were attributed to several large-scale screenings organized for different groups and companies. These events, which occurred during the same period, contributed to a noticeable spike in reported admissions.
The poster of the movie, Courtesy of the MindMark Inc.
“Victory,” directed by Park Beom-soo, is notable for being Korea’s first film centered on cheerleading. The story revolves around characters Pil-seon (Hyeri) and Mina (Park Se-wan), who form a high school cheerleading team in order to gain access to their school’s dance facilities. The film’s unique premise, coupled with a high-profile cast, has garnered significant attention and contributed to its box office performance.
The cast includes Park Se-wan and Cho Ah-ram, among others, who portray the nine-member cheerleading team known as Millennium Girls. The film’s depiction of cheerleading, a relatively new subject in Korean cinema, has captivated audiences and generated considerable interest.
Despite the controversies surrounding its box office success, “Victory” continues to attract viewers and contribute to ongoing discussions about the challenges and dynamics of the film industry. The film’s innovative approach to its subject matter and its reception by audiences highlight the evolving landscape of Korean cinema.
