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With Frieze Leaving COEX, Kiaf May Have an Opportunity to Build a Stronger Identity

With Frieze Leaving COEX, Kiaf May Have an Opportunity to Build a Stronger Identity

By Jason Yim Published August 23, 2026 09:15 PM

Opinion

Search: 28

Korean Traditional Arts: From Symbolic Success to a Sustainable Global Market: Jason Yim; August 20, 2026

When the Art Fair Becomes the City: Maria Kim; August 9, 2026

Beyond the Label of Asian Contemporary Art: Maria Kim; July 28, 2026

Frieze Seoul’s Real Test Begins Now: Maria Kim; July 23, 2026

The AI-Native Generation Is Building Before Asking Permission: Maria Kim; July 21, 2026

When AI Learns to Sing in Someone Else’s Voice: Maria Kim; July 14, 2026

When K-Pop Tickets Become a Luxury Good: Maria Kim; July 13, 2026

Art Holds Us Up: Sayart; June 17, 2026

BTS Deserved a Better Stage. So Did ARMY.: Jason Yim; June 17, 2026

A World at War, A Silence in Song: Why We Need a New “We Are the World”: Jason Yim; March 28, 2026

When Global Icons Stay Silent: Why Artists Like BTS Matter in Times of War: Jason Yim; March 24, 2026

What Should Gwanghwamun Say — and in Whose Script?: Sayart; March 3, 2026

Robots Are No Longer Workers. They Are Becoming Mirrors.: Jason Yim; February 3, 2026

What K-Pop Demon Hunters’ Golden Globe Recognition Really Means: Jason Yim; January 14, 2026

Farewell to Ahn Sung-ki, a Master Actor and a Moral Center of Korean Cinema: Jason Yim; January 5, 2026

Frozen Politics, Frozen Art: Hoping for a Thaw in Korea’s Art Market Next Year: Sayart; December 23, 2025

Why Lee Byung-hun Deserves to Win the Golden Globe: Kang In sig; December 9, 2025

Why Korea’s Language Archives Deserve a Place in UNESCO’s Memory of the World: Maria Kim; November 25, 2025

It’s Time for the Grammys to Let K-pop Win—Fairly: Jason Yim; November 14, 2025

When the Market Cools, Art Thinks: Lessons from Art Basel Paris 2025: Jason Yim; October 21, 2025

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